There is always a special energy in the room when soloist and conductor meet the orchestra for the first rehearsal — and this week was no exception. Sheffield Chamber Orchestra was delighted to welcome conductor John Lyon and violinist Esme Greenwood as preparations began for our forthcoming Great Classical Masterpieces concert on 21 March 2026.
From the very first notes, it was clear that this partnership promises something special.
At the heart of the programme lies Bruch’s Violin Concerto No. 1, one of the most beloved works in the Romantic repertoire. In rehearsal, John and Esme worked closely to shape the sweeping phrases of the opening Vorspiel, exploring its dramatic contrasts and ensuring the seamless transition into the Adagio — the emotional core of the concerto.
Esme brings both technical assurance and expressive sensitivity to this iconic solo part. Her sound carries warmth and clarity, while her thoughtful approach to phrasing reflects a deep engagement with the music’s lyrical character. The dialogue between soloist and orchestra is central to this concerto, and already the collaboration feels both dynamic and finely balanced.
John Lyon’s approach in rehearsal combines precision with infectious enthusiasm. Known for his clear musical insight and ability to inspire players of all ages, John has a strong track record of leading compelling performances across the region. His work as a conductor, educator and arranger reflects a deep commitment to musical excellence and accessibility.
In rehearsal, he encouraged the strings to match Esme’s expressive line, drawing out the rich textures in Bruch’s orchestration while keeping the structure taut and forward-moving. The result was a rehearsal filled with concentration, energy and shared purpose.
The concert on Saturday 21 March 2026 will also feature Beethoven’s dramatic Egmont Overture and Brahms’s radiant Symphony No. 2 — a programme that traces a powerful line through the heart of the German Romantic tradition.
With John Lyon on the podium and Esme Greenwood as soloist, the orchestra is already shaping what promises to be an evening of intensity, lyricism and grandeur.
Rehearsals are underway — and the excitement is unmistakable. We look forward to sharing the results with you in March.
